Archive for the 'Conceptual Art' Category



Conrad Bakker at the Des Moines Art Center

Published on January 3, 2008

I have to start this off with an embarrassing story. When I went into the Des Moines Art Center’s downtown location, I was carrying a coffee. A Starbucks coffee. I am not typically one for chain anything. I can’t remember the last time I went to Wal-Mart … I buy local whenever possible. But when you’re in a pinch, traveling … it’s tough to say no, particularly where much-needed caffeine is concerned. As I walked inside the front door, I swilled the last sip, coating my teeth with grounds (serves me right), and in one fluid motion, pitched the empty cup into a wastepaper basket next to the podium where the guard sits to welcome visitors.

“Oops. That’s a piece of art you put your cup in.”

1 art school education, rendered worthless by careless consumption of corporate coffee.

Conrad Bakker’s “Untitled Project: Trash”

Still, I felt better once I got to know the show a bit better. Conrad Bakker’s artwork is all about mingling the real with the unreal, blurring the line between reality and fiction. Each of the sculptures and paintings on display in Objects & Economies [Untitled Projects 1997–2007] in some way challenges our perceptions, usually as it relates to commerce in some way. Take for example “Untitled Project: Gift Card [Des Moines Art Center] ,” a set of small paintings the exact size and shape of gift cards sold at the museum store, carefully painted to resemble the real thing, and sold for the face value of the card it represented.

Conrad Bakker’s “Untitled Project: Gift Card (Des Moines Art Center)”

Nothing in the exhibition was what it seemed - the security cameras that on first glance seemed to be protecting the artworks were in fact sculptures painted to look like the real thing, positioned in the place cameras would typically be. Ditto for the thermostat on the wall, the television set to “Mute,” the Epson projector on the faux George Nelson bench, and yes, even the wastebasket.

The works were roughly executed - no one would be fooled after a close look - but they passed a cursory glance, and when the works are photographed for placement on online shopping sites like eBay and Craigslist, they definitely require close examination. One series of paintings took as its subject matter items posted to Des Moines’ Craigslist, faithfully reproduced in small 4×6 paintings, and which Bakker then re-posted to the barter site as artworks for trade, listing the paintings under the categories depicted in the paintings. Very meta, very clever, and very worth seeing. This was one of the best shows I’ve seen at a museum for awhile, and hey - the price is right. Go see it before March 28th, 2008.

If you can’t make it to the show, check out Bakker’s web site - lots of eye candy to see and explore.


No(television)vember

Published on November 26, 2007

This month, Sarah and I decided to try a little experiment - watch no televison for the entire month of November. No “Office,” no PBS, not even “Frontline.” Personally, I’d noticed that the TV was becoming a default activity. Sarah’s not so bad, but when I had a few free moments, I’d flip it on, and catch up on the DVR backlog. Most of my television tastes run to the educational, but the black box was still more of a time sink than I thought was good for me - it happened frequently that I’d sit down for a few minutes, only to find out that I’d watched four episodes in a row of “Ice Road Truckers,” (which most people probably wouldn’t consider educational, but several of my clients at work are trucking-related).

At any rate, we’ve decided to opt out this month. No television in November. NO-vember. Get it? My boss is calling it “atheist lent.”

Some extra time to do more cooking, and catch up on the pile of reading material by the bed. To write (hey, I’m posting!), to talk, and create. None of these things are really a goal in themselves, or a specific void I feel needs filling - rather, I feel I will do more of the things I value if I do less of something I don’t.

Day 1: Thursday, November 1st. Tonight is darts, so I spent the evening with my team-mates at the Horse Brass, one of my favorite pubs. I got home at 10:30, and instead of flipping on “The Office,” I chatted with Sarah about the game, talked weekend plans, and munched on some popcorn. No problem.

Day 2: Being Friday, Sarah and I would typically watch a movie at home and eat dinner of some kind. Lately, it’s been a lot of burritos, but tonight, we made home-made pasta with brown sage butter sauce. Delicious. Next time, I’d roll the pasta a little thinner, though - it swells to about double-size once cooked.

Day 3: Sarah had a work meeting, even though it was Saturday, so I got up early with her and fired up the smoker, in preparation for finishing up another batch of home-made bacon. Did some fall yard work, getting the raised beds ready for spring again. In the afternoon, went to a cool beer-tasting event at Woodstock Wine and Deli, where they poured six vintages of Sierra Nevada’s Celebration Ale. Later, went over to Dan and Emily’s to make sausage and hang out with young Will. I slipped. While Dan put Will to bed, I watched Thursday’s episode of “The Office” on his television. Feels a little like sneaking a cigarette.

Day 4: More meat smoking, this time the andouille sausage Dan and I made last night. My rustic bent is taking over - I spent a couple hours splitting firewood with a wedge and sledge while the sausage cooked. Gumbo for dinner - great.

Day 10: Where did the days go? We’ve settled into a nice routine coming home after work and reading in the living room - I’m guessing that’s what we’ve been up to. Went to see a movie at the Hollywood Theater tonight - Into the Wild. I read the book in high school or college, and the film adaptation accurately captures the feelings I recall having when I read it originally. Amazement at the courage required to let everything go and blow in the wind, but at the same time incredulous at the stupid risks McCandless takes - jumping headling into extremely dangerous rapids, never having kayaked before. Walking into Alaska with a .22 and no experience eating native plants … but it is hard not to be buoyed by his adventurous spirt and youth. Great soundtrack, too - my mom e-mailed to say she bought it. Something is wrong with the world when my mom is buying Eddie Vedder albums.

Day 16, 17, 18: Sarah and I take Jasper to the coast for a long weekend. We rent a little cottage in Manzanita that doesn’t even have a television, just a small wood stove and tiny kitchen. So tiny, I’ve seen RVs with better. Typically when we go to places like this, we watch a few movies on a crappy TV, but we spend the weekend walking the dog up and down the beach with breaks to warm up and read and play cards. We cook wild salmon and mustard mashed potatoes for dinner. Very relaxing to be away from the internet for a few days, too.

Day 20, 21, 22: After a short work week, it’s Thanksgiving prep. time. To the grocery store for recipe supplies, Dan and Emily’s to pick up a Turkey to brine, make pumpkin pie and apple pies from scratch (no cans involved). We even made homemade butter to go with my signature beer bread. Thanksgiving is spent at the Painters. There’s a football game or two on, but I’ve never been a big fan, and the rotisserie turkey and home-brewed cider is much more interesting. After quite a few ciders and a lot of food, though, I do settle in to watch “Christmas Vacation” with everyone else, one of my favorite holiday movies.

Day 23: Friday after Thanksgiving. Sarah says she wishes we could watch a movie at home - feels like that kind of night with the cold weather we’ve been having and a cider hangover on standby. I feel like caving, but rather than replying, I keep my mouth shut instead of speaking, since if I did, I’d agree.

Day 24: The second movie of the month: The Bourne Ultimatum at one of our local “cheap theaters,” one which serves beer and hot delicious pizza. Our living room has beer, but not the pizza. After the movie, we’re tempted to turn around and see another one at 9:00, but head home instead. When we get there, it feels like movie time still, but instead, we play cards in front of a fire. Not too shabby.

Day 25: Spent almost entirely in the shop - haven’t done that for awhile. Working on finishing up the cutting board I started yesterday afternoon.

Day 26: Got home from work, ate some turkey pot pie, and headed out to the shop. I finished up a failed attempt at a cutting board in a herringbone pattern, cleaned up a bit, and picked up a carving I’d been neglecting for a long time. Feels good to work the carving muscles a bit. Think I might repeat tomorrow.

Sarah and I have started discussing what we’re going to do in a few days when the self-imposed hiatus is off. We both miss certain shows - the Office is a nice Thursday ritual - and not watching movies has been hard. If anything, I think we’ll be a lot more choosy about what we do watch. We’ve both enjoyed listening to music, cooking and talking more. And I’ve been having more vivid dreams, which I almost never do! Explain that one …

I’ve also read a ton of books this month: Animal, Vegetable, Miracle; The Omnivore’s Dilemma; The Year of Eating Dangerously; Michael Pollan’s excellent Second Nature; Sailing Alone Around the World; and most recently, Longitude. I am normally a pretty voracious reader, but this is a lot even for me.

I have toyed with the idea of canceling cable and sticking to the networks and PBS, which is most of what we watch anyway. Or perhaps being ruthless in what we record on the DVR - you can rack up a full recorder pretty quickly, and generate quite a bit of digital guilt (try erasing a Holocaust documentary, and you’ll know what I mean). Any ideas?


SOCIO XV: Recycled Fashion Event

Published on September 18, 2007

In my other life, I am a graphic designer. In fact, I am the PR/Marketing Chair of the Portland chapter of AIGA, which is a national organization for graphic designers. So recently, I found myself pushing a design event on Portland art blogs, and I figure, the least I can do is hawk my own wares.

Chris Bell’s Banner hanging in downtown Portland. Photo by Cecilia Singer

Tomorrow night (Wednesday), AIGA Portland is holding an event called The Urban Forest Project, which seeks to promote green, environmentally-friendly, design. In April of 2007, 25 local designers donated their time to create unique banners for the project, which hung from poles throughout downtown Portland. Tomorrow night, they’ll be unveiled in their second lives, as handmade bags, which will be sold to benefit a local non-profit called Friends of Trees. Shortly after, the remaining bags will be sold online, details to follow. Here’s a sneak peak of a one of the bags, based on a banner made by Chris Bell - they’re really pretty amazing.

Chris Bell’s Banner, as recyled into a bag

SOCIO XV: Urban Forest Project Celebration
September 19th, 2007
6 - 9 PM
Art Institute of Portland: Gallery
1122 NW Davis St
Portland, Oregon
Doors open: 6:00pm

The event is free for AIGA members; $5 for everyone else.


Collaborative Sculpture No. 1

Published on April 17, 2007

I’m not sure where the idea came from, but when I arrived in Des Moines last Friday, Gabe and I immediately started discussing and sketching ideas for a joint project in his newly-cleaned shop, something that would combine Gabe’s freeform and organic sculptural style with my more structured and conceptual approach. Interestingly, we both had a very similar idea, so it was easy to get going, even though I spilled some water on the sketch. Oh, and we only had one day to work.

Sketch of Gabe Lueders and Dave Selden's First Collaborative Sculpture

I began Saturday morning by planing some poplar to 1/4-inch thickness so I could use it to construct the sides of the 5×5 cube that would be suspended in the tree’s branches. When that was all done, I cut the planed stock on the table saw to 5 inches with the table saw’s blade set to 45 degrees.

Sawing the Sides of the Cube on the Table Saw

I took quite a few breaks to spectate as Gabe showed off his facility with the bandsaw and his sanding contraption, constructing the trunk and branches of the tree from pieces of walnut.

Gabe Using his Bandsaw to Saw Walnut

Did I say facility? Watching Gabe use these two tools is like watching a veteran, world-class musician play violin, so measured and intentional are his movements. I haven’t had a great deal of experience with either tool, as my work is more geometric in nature, and I was extremely impressed.

Gabe Lueders and His Homespun Sanding Machine

I left Gabe to his performance and made my way to the drill press, where I drilled 25 holes in each of the 6 sides I’d just cut, followed by some quick sanding.

Dave Sanding 5x5 Sides

Finally, after a quick-ish glue up (hint: use masking tape to construct a lightweight cube in this way) and some lunch, we were able to start piecing the trunk and branches together. It was a little like flower arrangement, placing the branches, and Gabe’s sophisticated spatial imagination really came into play as he sanded and molded branches to the tight geometry of the cube, weaving the branches in and out.

Gabe Placing Branch on Collaborative Sculpture

Too quickly, I had to leave the workshop and the nearly-complete project.

Collaborative Sculpture at the End of the Day

The most amazing part of the day was the speed with which the elements came together in a cohesive whole, even with a couple of setbacks and having to create a few jigs on the fly. I don’t recall ever working so collaboratively with someone else (I used to hate group projects in art school). It was the highlight of the weekend for me, and I left inspired with a lot of new ideas for my own work. Thanks, Gabe, for a great day. Now, what should we call it? And when are we doing Number 2 in Portland?


Sol Lewitt is Dead. Long live Sol Lewitt.

Published on April 9, 2007
Portrait of Sol Lewitt

I mark my artistic career in two ways: the days before I knew of Sol Lewitt, and the days after.

Sol Lewitt, groundbreaking conceptual artist, exquisite draftsman, gifted printmaker, and sculptural wizard, died on Sunday, April 8th, 2007. He was 78.

“The idea is a machine that creates art.”

I have never wanted to be a decorator, I am far too impatient for realism, and I get self-conscious around models. Sol Lewitt’s aesthetic, the simple purity of a straight line and the supreme importance of the idea appealed to me immediately. As a designer, I am naturally drawn to grids. And while my math skills are less than stellar, I have an interest in systems and enjoy the meditative act of navigating the intricate logic of 3D space represented in two dimensions. I am also a hoarder.

Sol Lewitt's Wall-Floor Piece, 2001

“If the artist carries through his idea and makes it into visible form, then all the steps in the process are of importance. The idea itself, even if not made visual, is as much a work of art as any finished product. All intervening steps — scribbles, sketches, drawings, failed works, models, studies, thoughts, conversations — are of interest.”

And, though he would probably wince at the idea of beauty in his work, his work is awe-inspiringly beautiful, in the same way the double helix of DNA, or a cloudscape, or a checkerboard are.

Sol Lewitt's X with Columns

“In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair.”

See Sol Lewitt:


Sweat Lodge

Published on March 18, 2007

sweat-lodge2.jpg

The cedar Sweat Lodge was something that I made a few years ago down on my fathers farm near Osceola, IA. The first time we used it I covered the frame in plastic and then insulated it with square hay bales. The chimney has a sliding door that can be opened from the inside to regulate the steam. The basic process of operation is to have a large fire on the outside of the lodge to heat a small pile of rocks. After heating the rocks to a high temperature they are then carried, with a shovel, into a pit on the inside. Then water is poured over the hot rocks which creates the steam. The effect is basically that of a sauna.

This coming Friday, my friends and I are going to get it going again. It is an interesting experience to be involved in and is also really good for the body and mind.